A contemporary family from Commercial Type, a connected script by Lián Types, an ambitious sans from Hoftype, a roughed up family by Fontfabric, a hard-working serif from House Industries, a sophisticated sans by Typetanic, a historical stencil face from Storm, and an expressive family by Andinistas.
The three members of the Questa family The Questa Project is a type design adventure by Dutch type designers Jos Buivenga and Martin Majoor. Their collaboration began in 2010 using Buivenga’s initial sketches for a squarish Didot-like display typeface as a starting point. It was a perfect base on which to apply Majoor’s type design […]
Welcome to a new monthly roundup of type-related info and entertainment. (This will be in addition to Sean Mitchell’s excellent This Week in Fonts feature.) This month, we have movies (about sign painters, and Eric and John Gill), books (about Porchez, Baskerville, Spiekermann, and typewriter art, as well as books by Steven Heller and Gail […]
A highly functional sans by HVD Fonts, a powerful script from Dai Foldes, a hard working slab by Fort Foundry, a charming script from Drew Melton, an energetic script by Laura Worthington, a unique text face from Canada Type, a versatile sans by Stone Type Foundry, and an ambitious slab from Hoftype.
A fast moving script by Process Type Foundry, a versatile sans from The Northern Block, a decorative serif by Zeune Ink, an energetic script from Sudtipos, a characterful grotesque by Commercial Type, a harmonious slab from Dada Studio, a comfortable sans by Font Bureau, a spirited grotesque from Latinotype, a condensed sans by MCKL, and […]
A friendly brush script by Nikola Giacintová, a new classic from Jason Vandenberg, a flexible sans by Fatype, fluid & friendly structure from Latinotype, a new sans by Monotype, a multi-colored face from Underware, an elegant serif by FontFont, and a practical sans from Ludwig Type.
An Erik Spiekermann exclusive from Hamilton Wood Type, a sturdy slab by Rene Bieder, a high-class display from Avondale Type Co, a brush script by Mika Melvas, a modest slab serif from Type Me Fonts, a monospaced family by Matthew Butterick, a contemporary script from Petra Dočekalová, and a super family by Playtype.
A versatile sans from TipoType, a dynamic script by Sudtipos, an extreme display face from Hoefler & Co, a quirky hand-drawn family by Thinkdust, a geometric sans from Mint Type, a pair of playful stencils by Font Bureau, a multi-sources-inspired titling family from Kyle Wayne Benson, and a robust stencil by House Industries.
A graceful sans from Typotheque, a modern grotesk by Suitcase Type, a contemporary serif from Bold Monday, a letterpress family by Yellow Design, a versatile sans from Milieu Grotesque, a brush script by Doubletwo, a bold display face from Monokrom, and a modern sign painter family by Kyle Wayne Benson.
An “old Hollywood” inspired sans from Jessica Hische, a harmonious family by Laura Worthington, a contemporary serif from Grilli Type, a stylish slab by FaceType, a gentle sans from Production Type, a versatile sans by Tour De Force, a brush inspired face from Commercial Type, and a calligraphic script by Aerotype.
A monumental family from Hoefler & Co, a casual sans by Type Supply, a seaworthy display from Kyle Wayne Benson, a ferry inspired face by Letters from Sweden, an extensive script family from Martina Flor, a strong grotesk by The Northern Block, a functional slab from ReType, and a bright iconset by Symbolset.
An elegant script from Sudtipos, an aggressive face by Blackletra, a hand made family from Latinotype, a dynamic sans by Rui Abreu, a geometric sans from Rene Bieder, a cursive fat face by Dzianis Serabrakou, a lively script from Lián Types, a well-balanced slab by Parachute, a lovely sign painting font from Liebe Fonts, and […]
Every typeface taken seriously enough by its designer will teach valuable lessons. From Signo I learned that in designing a reverse contrast typeface, the challenge isn’t so much in the contrast, or in the black part of the letter for that matter. The conventions for that part are being disregarded, played with, reversed, so the […]
An indulgent display face from Positype, a toolbox of type by Hold Fast Foundry, a versatile family from Bold Monday, a whimsical swash by Latinotype, a flag building typeface from Always With Honor & Scribble Tone, a humanist sans by Type Dynamic, a highly legible sans from Tipografies, and a modern sans by The Northern […]
An eroded display by HVD Fonts, a wide sans from Type Dynamic, an inline slab by Yellow Design Studio, a versatile monoline from Parachute, a geometric sans by Graviton, an elegant script from Fenotype, an experimental face by Onrepeat, and a titling face from Type Together.
A reversed-stress face via Klim, a friendly display from Gunnar Link, a low contrast sans by Type Dynamic, a versatile collection from Commercial Type, a personable text face by Paul Barnes, a soft sans by Indian Type Foundry, a modernist script from Kyle Wayne Benson, and a geometric sans by Latinotype.
A whimsical serif by FontFont, a Dutch inspired family from Bold Monday, a scribble inspired face by Letters From Sweden, a rounded sans from 205, a contemporary display by Alex Trochut, a mellow sans by S-Core, playful icons from Symbolset, and an elegant sans by Rene Bieder.
A geometric sans from Positype, a contemporary grotesk by Josh Finklea, a carefree sans from Kyle Wayne Benson, a bold brush script by Fenotype, a lively face from Fontsmith, a hand drawn family by PintassilgoPrints, a friendly sans from FaceType, and a happy script by Wiescher Design.
In the spring of 2012, Stefania Malmsten became the new Creative Director of Swedish fashion & culture magazine Rodeo. Stefania was living in New York at the time, working with Swedish and American clients from the collaborative workspace Studiomates in Dumbo, Brooklyn. She had decided to move back to Sweden where she had started her […]
It was March 2nd, 2011, and I was fifteen-years old. I was in the clouds. My font family, Expletus Sans, had just gone live on the Google Webfonts Directory (now simply called Google Fonts). Plenty of positive feedback and a generous reward from Google had made me expect a lot of it. But it didn’t […]
A geometric script by Kyle Wayne Benson, a technical workhorse from Hold Fast Foundry, a lined display by TipoType, a classic grotesque from Parachute, an upright script by Stephen Rapp, a contemporary family from PSY/OPS, a geometric sans by Nootype, and an elegant script from Misprinted Type.
An ambitious text family by Schizotype, a feature-rich face from URTD, playful forms by Outras Fontes, a versatile sans from Fontsmith, modern styling by Thinkdust, a transitional face from MCKL, a minimalist slab by Mostardesign, and a sober text family from Fountain.
A space saving serif by TipoType, a geometric sans from FontFont, a handpainted face by PintassilgoPrints, a workhorse family from Typotheque, an elegant serif by Nootype, a legible slab from FontFont, a contemporary gothic by Talbot Type, and a chic serif from Typonine.
Our daily lives are full of noise, but when we immerse ourselves in reading, it seems to disappear. But what if the shapes of the words we read also contain perceptible noise? Does it disrupt the reading process, or do we learn to filter it out?
In Spring 2012 I started working on Works That Work, a new magazine which launched in February 2013, and as strange as it may seem, one of the first things that I started working on was its typeface.