Every typeface taken seriously enough by its designer will teach valuable lessons. From Signo I learned that in designing a reverse contrast typeface, the challenge isn’t so much in the contrast, or in the black part of the letter for that matter. The conventions for that part are being disregarded, played with, reversed, so the […]
An indulgent display face from Positype, a toolbox of type by Hold Fast Foundry, a versatile family from Bold Monday, a whimsical swash by Latinotype, a flag building typeface from Always With Honor & Scribble Tone, a humanist sans by Type Dynamic, a highly legible sans from Tipografies, and a modern sans by The Northern […]
An eroded display by HVD Fonts, a wide sans from Type Dynamic, an inline slab by Yellow Design Studio, a versatile monoline from Parachute, a geometric sans by Graviton, an elegant script from Fenotype, an experimental face by Onrepeat, and a titling face from Type Together.
A reversed-stress face via Klim, a friendly display from Gunnar Link, a low contrast sans by Type Dynamic, a versatile collection from Commercial Type, a personable text face by Paul Barnes, a soft sans by Indian Type Foundry, a modernist script from Kyle Wayne Benson, and a geometric sans by Latinotype.
A whimsical serif by FontFont, a Dutch inspired family from Bold Monday, a scribble inspired face by Letters From Sweden, a rounded sans from 205, a contemporary display by Alex Trochut, a mellow sans by S-Core, playful icons from Symbolset, and an elegant sans by Rene Bieder.
A geometric sans from Positype, a contemporary grotesk by Josh Finklea, a carefree sans from Kyle Wayne Benson, a bold brush script by Fenotype, a lively face from Fontsmith, a hand drawn family by PintassilgoPrints, a friendly sans from FaceType, and a happy script by Wiescher Design.
In the spring of 2012, Stefania Malmsten became the new Creative Director of Swedish fashion & culture magazine Rodeo. Stefania was living in New York at the time, working with Swedish and American clients from the collaborative workspace Studiomates in Dumbo, Brooklyn. She had decided to move back to Sweden where she had started her […]
It was March 2nd, 2011, and I was fifteen-years old. I was in the clouds. My font family, Expletus Sans, had just gone live on the Google Webfonts Directory (now simply called Google Fonts). Plenty of positive feedback and a generous reward from Google had made me expect a lot of it. But it didn’t […]
A geometric script by Kyle Wayne Benson, a technical workhorse from Hold Fast Foundry, a lined display by TipoType, a classic grotesque from Parachute, an upright script by Stephen Rapp, a contemporary family from PSY/OPS, a geometric sans by Nootype, and an elegant script from Misprinted Type.
An ambitious text family by Schizotype, a feature-rich face from URTD, playful forms by Outras Fontes, a versatile sans from Fontsmith, modern styling by Thinkdust, a transitional face from MCKL, a minimalist slab by Mostardesign, and a sober text family from Fountain.
A space saving serif by TipoType, a geometric sans from FontFont, a handpainted face by PintassilgoPrints, a workhorse family from Typotheque, an elegant serif by Nootype, a legible slab from FontFont, a contemporary gothic by Talbot Type, and a chic serif from Typonine.
Our daily lives are full of noise, but when we immerse ourselves in reading, it seems to disappear. But what if the shapes of the words we read also contain perceptible noise? Does it disrupt the reading process, or do we learn to filter it out?
In Spring 2012 I started working on Works That Work, a new magazine which launched in February 2013, and as strange as it may seem, one of the first things that I started working on was its typeface.
Xavier Dupré is a world-renowned type designer. After studying calligraphy and typography at the Scriptorium de Toulouse, France, he collaborated with Ladislas Mandel. Since then, he has established himself in Cambodia where he designs typefaces with as much freedom as possible. He appreciates Licko’s creativity, as much as the fluidity and calligraphic tensions in Slimbach’s […]
An American Gothic from Type Supply, smooth and balanced forms by Typefolio, an innovative face from Optimo, an Art Deco inspired gothic by Neil Summerour, a dynamic slab-serif from FontFont, a calligraphy style face by Great Lakes Lettering, a brush flavoured script from Fontfabric, and a hand-lettered family by Debi Sementelli.
A contemporary serif from Klim, a hand crafted family by Laura Worthington, a modern classic from Linotype, a transitional serif by Canada Type, a technical sans from The Northern Block, a handmade face by LeType, a humanistic sans from GarageFonts, and a beautiful script by Insigne.
A brush script from Sudtipos, a unicase face by Latinotype, a graceful script via Fairgoods, an optimized serif from Nootype, a plump display by Fontyou, a functional sans from The Northern Block, a strong family by Colophon, a modern rounded sans from Typedepot, another exotic face by Fontyou, and a delicate sans from Tipo Pèpel.
A sultry script from Positype, a new level of trimming by Letters from Sweden, a confident sans from Rene Bieder, compact headlines by Typodermic, a layered family from S-Core, a new sans by Wiescher Design, a handwritten serif from La Goupil, and a classic didone by dooType.
Calligraphic flair by DSType, a geometric stencil from Talbot Type, a tempered sans by MVB Fonts, a warm slab courtesy of Dada Studio, a fluid script from Sudtipos, some hand-drawn lettering by Mike Rohde, an art deco inspired face from Tilo Pentzin, a vintage sans by Hold Fast Foundry, geometric forms from HVD Fonts, and […]
An energetic upright from Type Together, a geometric sans by Lucas Sharp, a neutral sans from Wordshape, a graceful script by Giuseppe Salerno, a family full of character from Exljbris, a good humoured face by OurType, a Japanese inspired family from Thinkdust, a soft script by Maximiliano Sproviero, a Eurostile inspired sans from TypeManufactur, and […]
Delicate yet solid curves courtesy of Sudtipos, a sturdy serif from FontFont, a cosy type family by FDI, a whiskey & gin inspired face from Hold Fast Foundry, tetragonal splinters from Benoît Bodhuin, a Dieter Rams inspired face by The Northern Block, a minimalist sans from Mostardesign, a dotted typeface by Nina Stössinger, a versatile […]
A deco style numbers font from Joshua Mayfield, a calligraphic text family by District, a ligature packed display face from Nootype, a contemporary stencil by Atlas Font Foundry, a family of contradictions from Typotheque, a flexible gothic digitized for the first time by Hamilton Wood Type, and a single face with 9 fonts within from […]
A no-nonsense sans from Lineto, a layered type system by Latinotype, a charming hand made face from Voltage LTD, delicate and flowing curves courtesy of Typesenses, a contemporary sans by VirusFonts, a classic titling serif from Domahoka, a Swiss inspired sans by Wordshape, and a modern sans from Nootype.
Neil Summerour’s latest release sat in a ‘drawer’ for two years gathering dust. Fortunately for us, he discovered it, dusted it off, and released it as a scratchy, dynamic, and elegant script font. Shameless is available in two flavors, Standard & Deluxe, with the latter comprising more characters. Shameless is published by the Positype type […]
A bright slab serif by Typofonderie, a massive system from Typonine, a text face with flavour and a hardworking family from Rosseta Type, a casual face by HVD Fonts, an expansive family from Lost Type Co-op, a type designer’s typeface by Emigre, a warm and rugged face from Fountain, a geometric slab serif by The […]