I Love Typography (ILT) combines the world’s most popular typography blog with a new place to buy fonts from your favorite indie foundries.
Tag: popular
Tens of millions of broadsides were printed from the very earliest days of printing. Many were cheap and ephemeral, eventually being recycled or ending up in the trash. Others, like rebus and puzzle broadsides were novel and engaging enough to live longer lives. This is my very brief look at some early examples of these curious so-called hieroglyphic broadsides. The Industrial Revolution mechanized printing and reduced costs, leading to explosive growth in publishing. At the same time, an unprecedented increase in literacy produced millions of new readers and sparked a reading revolution. But what were these new readers to read? One of the century’s most popular genres, sold on the streets of Victorian England, was the penny dreadful. Cheap, entertaining and extraordinarily popular. This is their story. The remarkable story of early African American print culture; its authors, editors, journalists, printers, and publishers. From protest pamphlets to the first Black newspapers, periodicals and books. From around the beginning of the 1600s, there was a renewed interest in calligraphy. At the same time, women, known as writing mistresses, begin to teach handwriting and calligraphy to young women. Maria Strick in the Netherlands and Marie Pavie, perhaps from France, are the first two women to have their calligraphy copybooks published in print. Robert Granjon (1513–90) was a French type designer who, in 1557, invented a new style of typeface which later came to be know as Civilité, after the civilité or etiquette books which the typeface often appeared in. Although Granjon wished for his Civilité to become the national typeface of France, it never really caught on, and it never seriously competed with Roman and Italic fonts. The Renaissance affected change in every sphere of life, but perhaps one of its most enduring legacies are the letterforms it bequeathed to us. But their heritage reaches far beyond the Italian Renaissance to antiquity. In ancient Rome, the Republican and Imperial capitals were joined by rustic capitals, square capitals (Imperial Roman capitals written with […] My graphic design students love to design posters using the classic eye chart composition, and they frequently ask “What typeface should I use for this?” Not having a definitive answer has always been frustrating, so I decided to investigate to find out what typeface is used on eye charts. Perhaps this article should have ended at the question mark in its title. And by the end of it, you may well concur. However, in the meantime, and before I get started — and I promise this won’t take long — let me be clear, I am not, I repeat, not (in bold for emphasis) a Helvetica hater. Most will be familiar with the name Francesco Griffo, born in Bologna in 1450, and forever associated with the Venetian printer-publisher Aldus Manutius for whom he designed and cut roman, Greek, and the first italic fonts. Their partnership was an especially fruitful one and their collaboration at the end of the fifteenth and beginning of […] In the fifteenth century women had few career opportunities. Few, bar those in the higher social classes were even sent to school, and women were not admitted to universities (Oxford university didn’t permit women to matriculate or graduate until 1920). Their options were very limited and pessimistically and perhaps a little exaggeratedly summed up by […]
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November 8, 2020
Penny Dreadfuls & Murder Broadsides
October 19, 2020
Black Print
July 11, 2020
The Writing Mistress
June 18, 2020
Death of a Typeface
June 6, 2020
The First Roman Fonts
April 18, 2016
What are Optotypes? Eye Charts in Focus
July 12, 2015
The Last Word on Helvetica?
June 27, 2015
Murder in Italic
January 27, 2015
The First Female Typographer
October 15, 2014
