I Love Typography

Tag: James Puckett

The Complete Engraver

A review by James Puckett When it comes to the Gilded Age, the canon of design history teaches of broadside posters and the Kelmscott press. Wood type and artistic printing have attracted a following and are fighting their way in. Further outside the canon lies a neglected facet of design woven into society, personal lives […]

read this article

Emigre No. 70, the Look Back Issue

Reviewed by James Puckett In 1983 Rudy VanderLans, Zuzana Licko, Marc Susan, and Menno Meyjes began Emigre, a magazine about “…the global artist who juggles cultures, travels between them, and who is fluent in the cultural symbols of the world. An émigré.”[1] Early issues meandered through essays, interviews, fiction and poetry. VanderLans directed wild layouts […]

read this article

Designing Armitage

I had been studying this style of letters on similar buildings in Washington, D.C., and something about them always felt a little dull. But in the Claremount letters I found life in the charming way the awkward proportions and loose spacing came together.

read this article

Art and Text

Reviewed by James Puckett Artist Joseph Kosuth’s 1965 work One and Three Chairs presented a static composition that represents an idea three ways. It was heady stuff, addressing what conceptual artists saw as a crisis of reconciling the realization of concepts with the concepts. One of the three material representations in One and Three Chairs […]

read this article

Graphic Masterpieces of Yakov G. Chernikhov: The Collection of Dmitry Y. Chernikhov

Reviewed by James Puckett Yakov G. Chernikov (1889–1951), was a Russian artist, designer, and architect learned in classical and modern styles. As a draftsman he was on par with Piranesi and Rembrandt; his most forward-thinking drawings resemble the style of Yoshitaka Amano. This combination of knowledge and skill made him one of the most accomplished […]

read this article

Type: A Visual History of Typefaces & Graphic Styles

Reviewed by James Puckett I was excited when Taschen announced the first volume of Type: A Visual History of Typefaces and Graphic Styles, described as “This exuberant selection of typographic fonts and styles traces the modern evolution of the printed letter”*. Such language, including the title, is disingenuous, because this book is not a history.

read this article

Secured By miniOrange