Tag: ILT Fonts
For a limited time, you can get 50% off a selection of quality fonts, including some of our most popular designs. Whether you’re a graphic designer, marketer, or simply someone who loves typography, this is an opportunity you won’t want to miss. Typography is an essential element in any design, and choosing the right typeface makes all the difference. That’s where Mackay comes in — a powerful transitional serif designed for both screen and print. Tabrizi Jali is the first type revival based on the early Persian Naskh types of Iranian presses from the nineteenth century. It is a product of several years of extensive research into the history of printing and typefounding, and practical experiments. Thus, it is a great pleasure to announce its release on the first day of spring and the Persian New Year (Nowruz), the 20th of March, 2023. A year that also marks 200 years since the publication of the earliest known Persian book in Tehran. Steven Heller takes a closer look at Geetype’s magnificent, bold and curvaceous Geetype! Steven Heller takes a closer look at Craig Eliason’s magnificent Feneon font family. From the moment I started the engine in first gear with Slag Black, then accelerated to Slag Inline, Two Line, Three Line, and finally slid into Five Line, I felt an exhilarating jolt. There is so much color and texture in Slag’s linear geometric variations – and in the combination of large and small caps (which replaces lowercase letters) – that I was satisfied that the Slag family WAS the winnes in this month’s type road race. This month it’s Font of the Month with an s! Yes, Steve heller takes a look at two unorthodox layer font families from rising French star Francis Chouquet. Vive la play! Naming a typeface is like naming a newborn baby, kitten or puppy. The name either must reveal heritage or suggest personality. Sometimes a name triggers obvious connections; for example, the given or surname of the designer(s) or client the face has been designed for makes a lot of sense. Other times the name is a […] In 1958 Bradbury Thompson developed the ‘monoalphabet’, a type whose distinctive concept was that uppercase and lowercase forms were identical. The monoalphabet was modeled on his favorite serif face, Baskerville, with lowercase a, e, m, and n mixed with uppercase letters.
50% off Fonts
May 4, 2023
Introducing Mackay: A Powerful Transitional Serif for Screen and Print
May 1, 2023
Tabrizi Jali typeface: reviving history through letterforms
March 20, 2023
Steven Heller’s Font of the Month: Geetype
December 8, 2022
Steven Heller’s Font of the Month: Feneon
November 3, 2022
Steven Heller’s Font of the Month: Slag
October 5, 2022
Steven Heller’s Font of the Month: Farandole & Lustik
September 7, 2022
Steven Heller’s Font of the Month: Bangel
August 3, 2022
Steven Heller’s Font of the Month: Ambicase
July 7, 2022
