November 8, 2020
Tens of millions of broadsides were printed from the very earliest days of printing. Many were cheap and ephemeral, eventually being recycled or ending up in the trash. Others, like rebus and puzzle broadsides were novel and engaging enough to live longer lives. This is my very brief look at some early examples of these curious so-called hieroglyphic broadsides.
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19th century ephemera popular
October 19, 2020
The Industrial Revolution mechanized printing and reduced costs, leading to explosive growth in publishing. At the same time, an unprecedented increase in literacy produced millions of new readers and sparked a reading revolution. But what were these new readers to read? One of the century’s most popular genres, sold on the streets of Victorian England, was the penny dreadful. Cheap, entertaining and extraordinarily popular. This is their story.
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19th century ephemera feature popular printmaking
September 28, 2020
News has been around as long as humans have. From word of mouth to handwritten newsletters to printed newspapers in the early 1600s, the news has always captivated us. It has evolved from an expensive and bespoke service for an elite few into a major part of today’s mass media.
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ephemera type history typographic firsts
September 3, 2020
By the sixteenth century, printmaking — or art prints — had become a burgeoning industry in Europe. Millions were printed and many thousands have survived until the present day. Their significance goes well beyond their value as art or artifact, revealing a great deal more than artists’ talents and virtuosity. A closer look at their subject matter and iconography reveals much about the motives of those who collaborated to publish them, sometimes making them as much propaganda as art.
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ephemera printmaking renaissance
July 31, 2020
The modern poster first appeared in France in the 19th century, but its antecedents can be found in Renaissance printmaking. Woodcut, engraving, etching, and drypoint were techniques used by the likes of Albrecht Dürer, Hieronymus Bosch, and Raphael, while printmaking publishers, like Hieronymus Cock, helped popularize the standalone art print and turn it into a thriving industry.
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ephemera printmaking typographic firsts