Xavier Dupré is a world-renowned type designer. After studying calligraphy and typography at the Scriptorium de Toulouse, France, he collaborated with Ladislas Mandel. Since then, he has established himself in Cambodia where he designs typefaces with as much freedom as possible. He appreciates Licko’s creativity, as much as the fluidity and calligraphic tensions in Slimbach’s […]
In the 1980s, the German Democratic Republic’s state television broadcasting service commissioned Axel Bertram to develop a custom typeface. The result was “Videtur,” a remarkably independent serif design that was intended to define the on-screen graphics of East German television for years to come. But by the beginning of the 1990s, the GDR no longer […]
By Ivo Gabrowitsch & Christoph Koeberlin After more than 10 years, Verena Gerlach has revised and extended her FF Karbid super family, an interpretation of German storefront lettering from the early 1900s. The new FF Karbid is a harmonized redesign of the original typeface. Rounder and less narrow letters lend the shapes more space and […]
by Ludwig Übele A line of text is like a silhouette on the horizon. Closer inspection reveals the detail, the trees, bushes, rocks; details that, though only vaguely perceivable from afar, create both rhythm and variation. The beauty of this landscape is born of both regularity and variety.
by Dan Reynolds From May 19–21, FontShop hosted its 16th annual TYPO-Berlin conference. Over 1,600 guests were in attendance. This year’s conference theme was “Shift,” and the subtext of many of the presentations dealt with how to bring one’s design work to the next level, whether that is the next level of your own personal […]
The last five months have been pretty intense. Creating a 164-page magazine from scratch is an enormous project and, looking back, I’m happy that I was naïve enough to think it could be done. Along with Carolyn Wood and Working Format we think we’ve created something very special indeed. I’d also like to thank MailChimp […]
the week in type Perhaps you thought ‘The Week in Type’ was dead. Well, this post marks its resurrection. It won’t be weekly just yet, but from 2011 it will be: a weekly roundup of new releases, type and lettering to inspire, type tips, videos, and lots, lots more. If you haven’t yet subscribed to […]
Try webfonts for free Great, simple idea: Try out FontFont webfonts with FontFonter:
Majoor Love I was thinking, if only Scala & Scala Sans were released as web fonts. Well, now they’re here, and accompanied by some 300 others from the FontFont library.
But will it fly? Perhaps the most difficult part in compiling this list is not what to include, but what to leave out. There are, then, many other typefaces that should be in this list, but aren’t. Perhaps some of your favourites from 2009 coincide with mine; perhaps they don’t — I’d love to hear […]
The Week in Type Hoping that everyone is feeling refreshed, invigorated and inspired after Christmas and New Year. That we are now in 2010 is arbitrary, but it is at the same time a marker, the end of something, and the beginning of something else; a kind of armistice, an opportunity to dump all the […]
The Week in Type It’s been a little while since the last week in type. I have so many links, so many new releases, so much news to share, I wonder where I should begin. I know, let’s start with a great site based on a very simple idea — Typedia is an encyclopedia of […]
By Ivo Gabrowitsch Berlin-based Martin Wenzel might be best-known for his TDC-awarded sans serif family FF Profile. He runs his own studio, focusing on type and communication design and teaches type design at the Design Academy Berlin. Martin also runs his own shirt store WordsOnShirts that features some nice hand lettering designs.