Most users are unaware of the sophisticated typesetting possibilities of today’s personal computers because they have to interact with fonts through a keyboard offering a minimal subset of the character set. It is as if they are looking at their fonts through a keyhole.
Designers ask Adobe for a better user interface for type The introduction of OpenType fonts in 2000 offered designers a rich and sophisticated typographic repertoire. The number of fonts that support these typographic features has grown exponentially over the years. And yet, we – the designers, producers, and users of digital type – have observed with […]
Ahhhhhh…! That wonderful aha moment when we see the spark in our students’ eyes—when they realize that typography reaches far beyond the font list under the type menu on the computer. The tricky part is getting to that aha moment! When students are learning about typography, is it far too easy for them to simply […]
I don’t know what it is about type design recently. I could swear that five years ago there wasn’t even half as much interest as there is today! But somehow, it has become hip and interesting to a lot more people than before. Perhaps this reflects the growing democratization of type design, as newer practitioners […]
The Condensed Typeface Design Program at the Cooper Union is a five-week-long studio course that at first glance, simply teaches the basics and traditions of typeface design. In reality, it was an amazing and intense summer spent with passionate people immersed in the world of type. During the 12-hour days (with breaks!) we studied type […]
The day before leaving for India I had a client photo-shoot — pretty simple, no lighting — to show that choosing your bike over your car is good for the world and is also safer. And then I got on a airplane, pretty much setting an entire gas station on fire to study typography at […]
Save our signage Recently, I posted an interview with type designer Verena Gerlach in which she laments the disappearance of shop signage & lettering (sources she’d used to design FF Karbid). Shops change hands, old signs are taken down or painted over and, in the process, numerous examples of wonderful lettering are forever lost. And […]
By Dan Reynolds Founded in 1957, the Association Typographique Internationale (ATypI) is a worldwide organization dedicated to type design and typographic-related themes. Reykjavík/Iceland hosted this year’s annual ATypI conference. From 14–18 September, about 250 local and international guests gathered to hear presentations on writing systems, design history, and font production. I attended with the Linotype/Monotype […]
by Doug Wilson As some of you may know, I am the director of a feature-length documentary film about the Linotype type casting machine. About a year ago, I partnered up with two good friends on a journey to document the Linotype and the people who love these crazy machines. After 45 interviews and 26 […]
Type @ Cooper Starting in the fall of 2010, the Continuing Education Department of The Cooper Union, in conjunction with the Type Directors Club, offers a Certificate Program in Typeface Design. Very nice web design by Nick Sherman.
By Rob Keller Vesper was developed over the course of almost three years. For this article, I’ve divided the process into two stages: #1 during my studies at the University of Reading; and #2 After Reading. Hopefully through this highly-condensed-yet-still-rather-wordy account of this project you will learn some interesting bits regarding my first major type […]
By Abi Huynh Last year Mathieu Christe and Berton Hasebe wrote a very thorough article detailing the general day to day of the Type and Media masters program. With this article we hope to outline an historical overview of the course and provide a brief look at the final project typefaces from the 08/09 class. […]
By Jessica R. Yurasek Let’s face it, most of the general public does not really understand typography. So when I first tell people that I attended something called ‘Type Camp’ this summer, I tend to garner a lot of puzzled looks. But, smiling bemusedly, the typographic outsider with whom I am conversing, is likely to then […]
The Week in Type Let’s jump straight in with some great photos from the Type & Media graduation exhibition. Really impressed, not only by the quality of the types, but by the specimens. Here’s a detail from the graduation poster:
By Dan Rhatigan This July, the Department of Typography & Graphic Communication at the University of Reading is offering a week-long, condensed version of the MA Typeface Design course it has been offering for the last ten years. It may only last 5 days, but it promises to give a small group of participants a […]
by Mathieu Christe & Berton Hasebe A year ago, after the ten of us settled in The Hague, we started the Type and Media masters course—excited to begin our education in type design. Expecting to immediately start drawing letters, we were surprised to find that our first course was in Python programming. Though unexpected, it […]