I Love Typography

Harir – Reducing Noise in Arabic Script

Our daily lives are full of noise, but when we immerse ourselves in reading, it seems to disappear. But what if the shapes of the words we read also contain perceptible noise? Does it disrupt the reading process, or do we learn to filter it out?

All sorts of type

The Week in Type The type-obsessive, thoroughly inspiring Andrew Byrom in this TEDxUCLA talk, If h is a chair:

All kinds of type

The last five months have been pretty intense. Creating a 164-page magazine from scratch is an enormous project and, looking back, I’m happy that I was naïve enough to think it could be done. Along with Carolyn Wood and Working Format we think we’ve created something very special indeed. I’d also like to thank MailChimp […]

Wishing on a typeface

By Nadine Chahine Nadine Chahine is a type designer for Linotype GmbH, where she is also Branding & CI Manager, and Arabic Specialist. She designed Frutiger Arabic with Adrian Frutiger and Palatino Arabic with Hermann Zapf, for which she won the Certificate of Excellence in Type Design from the TDC. Today I’m excited to announce […]

Yes, we kern

The Week in Type I had intended to publish my review of Theo’s The Typographic Desk Reference today. I’ll publish that next week. And, I missed out on April Fool’s. I had so many ideas, from the new and free Adobe fonts with embedded ad glyphs (the humour’s in the execution!) to the … well, […]

Projected type

The Week in Type Welcome to this week’s the week in type. Thanks to all those who commented on David’s great On diacritics article. Upon seeing Greg Meadows’ photos from the boneyard in last week’s the week in type, Matthew sent me some of his own:

the week in type — Zócalo

Come on Marlene Fast closing in on 2009. I can’t believe it. What happened to 2008? The very lucky winner of the Seb Lester poster is mentioned toward the end of this post. Thanks to everyone who entered. This week’s the week in type is a big one, so make sure you’re sitting comfortably. Enjoy. […]

Arabic calligraphy as a typographic exercise

By Julia Kaestle ‘Arabic Calligraphy’ is a hybrid English term. ‘Calligraphy’, taken from the Greek kallos (beauty) and graphe (writing), is literally understood in the western perception as ‘beautiful (hand) writing’ of the Arabic language. Yet the Arabic term for what we call calligraphy invites closer inspection. Within the Arabic language the transliterated word ‘Khatt’ […]

Face to Face

An Interview With Nadine Chahine Nadine Chahine is an incredibly talented Lebanese type designer with a very special interest in Arabic typography. She taught Arabic type design as a visiting lecturer at the American University in Dubai and then joined Linotype, Germany, where she is now in charge of Sales Marketing and Arabic-related projects. As […]

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