An Interview with Verena Gerlach

karbid-fonts-inspiration

After more than 10 years, Verena Gerlach has revised and extended her FF Karbid super family, an interpretation of German storefront lettering from the early 1900s. The new FF Karbid is a harmonized redesign of the original typeface. Rounder and less narrow letters lend the shapes more space and balance. Although the contrast was reduced to obtain a harmonious monolinear typeface (without losing its liveliness) it was increased in the bolder weights to improve legibility and achieve a certain elegance. FF Karbid Display is the most obvious spin-off of the original family. More than merely having been assimilated, the letterforms were revised according to a new concept.
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Heaven Devoid of Stars

More than half a millennium has passed since the invention of moveable type in Europe. It’s now just about impossible to imagine a world without it. That very sentiment is set in ink in this new print collaboration with Stefan Hattenbach. A sumptuous screen-print of gold, white, and black inks on beautiful red Plike paper. A truly stunning print, and perhaps the perfect Christmas gift!


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Steve Jobs

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The making of FF Tundra

A line of text is like a silhouette on the horizon. Closer inspection reveals the detail, the trees, bushes, rocks; details that, though only vaguely perceivable from afar, create both rhythm and variation. The beauty of this landscape is born of both regularity and variety.
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ATypI 2011 Reykjavík

Founded in 1957, the Association Typographique Internationale (ATypI) is a worldwide organization dedicated to type design and typographic-related themes. Reykjavík/Iceland hosted this year’s annual ATypI conference. From 14–18 September, about 250 local and international guests gathered to hear presentations on writing systems, design history, and font production. I attended with the Linotype/Monotype Imaging company contingent, and was fortunate enough to give a presentation on the final day of conference. While this write-up doesn’t cover every lecture or activity, I hope that it lends readers a good feeling of the event’s flavor.
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Gay type

Hard to believe that 2011 is coming to a close. Autumn is showing its face, and before you know it, we’ll be Christmas shopping. Some inspiring stuff in this week’s The Week in Type. Sit back and enjoy.

Let’s begin with a gorgeous book cover by Carlo Giovani for the new Brazilian edition of Jules Verne’s Journey to the Center of the Earth:

Lovely use of Phaeton by Randy Jones & Kevin Cornell.

Via @ThinkingType.
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Peace

I am proud to present a new limited edition print released today entitled ‘Peace’. It is available in two colourways. A classic metallic gold on black and a contemporary dark chrome on white. I would like to offer a little insight into the design.

There are words that are common currency for calligraphers and artists. Often profound words that encapsulate an idea or sentiment that has broad and timeless appeal. ‘Peace’ is one such word. I felt this year was a good time for me to produce my interpretation of the word ‘Peace’.
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Linotype the film — final push

As some of you may know, I am the director of a feature-length documentary film about the Linotype type casting machine. About a year ago, I partnered up with two good friends on a journey to document the Linotype and the people who love these crazy machines. After 45 interviews and 26 separate shoots, we have amassed an amazing collection of footage telling the surprisingly emotional and fascinating story of the Linotype.

“Linotype: The Film” Official Trailer from Linotype: The Film on Vimeo.

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All sorts of type

The type-obsessive, thoroughly inspiring Andrew Byrom in this TEDxUCLA talk, If h is a chair:

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TYPO-Berlin

From May 19–21, FontShop hosted its 16th annual TYPO-Berlin conference. Over 1,600 guests were in attendance. This year’s conference theme was “Shift,” and the subtext of many of the presentations dealt with how to bring one’s design work to the next level, whether that is the next level of your own personal development, or to new brands of media. With so many graphic designers in one place, it is no wonder that several type foundries and publishers chose this event to launch new products. Many of these items have already been discussed on Twitter or on other blogs, such as in last week’s weekly Typedia report. Nevertheless, the following recap should still be of interest to I Love Typography readers.

Klim Type Foundry

New Zealand’s Kris Sowersby (also an I Love Typography contributor) used his Thursday evening lecture to announce the release of his two newest type families: Calibre and Metric.


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