Type Camp India

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The day before leaving for India I had a client photo-shoot — pretty simple, no lighting — to show that choosing your bike over your car is good for the world and is also safer. And then I got on a airplane, pretty much setting an entire gas station on fire to study typography at Type Camp in India.

The Vancouver airport is safe-looking and Canadian; I shopped with Martha Stewart (it’s true!) in the over-ripe consumerism of the HK airport; and then the Chennai airport: it was really filthy. Suddenly in India, stepping out of the impossible tube of an aircraft fuselage, everything seemed extremely difficult. Baggage was difficult. Taxis were almost impossible. The banks were closed, the ATMs broken.

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Letters & Stone

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Based near Burford, Oxfordshire, Fergus Wessel is a letter cutter producing fine memorials that can be seen throughout the UK, including St Paul’s Cathedral. Naomi Chapple interviews him in his workshop on his love of lettering and, in particular, the relevance of good typography in his work.

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We love your streets

WLT-wayfinding

Recently, I posted an interview with type designer Verena Gerlach in which she laments the disappearance of shop signage & lettering (sources she’d used to design FF Karbid). Shops change hands, old signs are taken down or painted over and, in the process, numerous examples of wonderful lettering are forever lost. And that got me to thinking about their ‘digital’ preservation. As a keen user of Instagram, I see hundreds of great photos of signage and lettering, many of them geotagged.
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Garçon Grotesque

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Honesty in form is one of the major tenets of modernism. In other words, a design should accomplish a narrowly defined function in the simplest manner possible. This belief is extolled in many design disciplines, including typography. In 1931, Eric Gill wrote: Continue reading this article

Costco Typography

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Welcome to another ‘week’ in type. So much is happening, I can barely keep up. If you haven’t already read it, then head on over to Typographica for their brilliant list of 50 favorite typeface releases of 2011. A great list and some fine reviews. Really like Typographica’s use of FF Quadraat. I am working on my own list of ten typefaces, to be published within the next two weeks.
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An interview with Kunihiko Okano

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How and when did you become interested in typography & type design?

At university I majored in graphic design. I used to leaf through typeface catalogs in search of letters to use in my poster design assignments. However, I could never find any typefaces that matched perfectly what I had in mind, so I began making my own. I was lucky enough to have access to a Macintosh and Fontographer 3.1 at the university lab. At that time the Macintosh wasn’t particularly popular, and few knew how to use them. I found it great fun making fonts from scratch. It took me some time to get used to drawing letters on the computer, but I can still vividly recall the excitement when my font first appeared on the screen. From that instant, I was hooked on designing type.
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An Interview with Verena Gerlach

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After more than 10 years, Verena Gerlach has revised and extended her FF Karbid super family, an interpretation of German storefront lettering from the early 1900s. The new FF Karbid is a harmonized redesign of the original typeface. Rounder and less narrow letters lend the shapes more space and balance. Although the contrast was reduced to obtain a harmonious monolinear typeface (without losing its liveliness) it was increased in the bolder weights to improve legibility and achieve a certain elegance. FF Karbid Display is the most obvious spin-off of the original family. More than merely having been assimilated, the letterforms were revised according to a new concept.
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Heaven Devoid of Stars

More than half a millennium has passed since the invention of moveable type in Europe. It’s now just about impossible to imagine a world without it. That very sentiment is set in ink in this new print collaboration with Stefan Hattenbach. A sumptuous screen-print of gold, white, and black inks on beautiful red Plike paper. A truly stunning print, and perhaps the perfect Christmas gift!


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Steve Jobs

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The making of FF Tundra

A line of text is like a silhouette on the horizon. Closer inspection reveals the detail, the trees, bushes, rocks; details that, though only vaguely perceivable from afar, create both rhythm and variation. The beauty of this landscape is born of both regularity and variety.
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