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I Love Typography

MADE POSSIBLE WITH THE SUPPORT OF
I Love Typography
MADE POSSIBLE WITH THE SUPPORT OF

Last-minute gift ideas

For Type Lovers

With the holidays fast approaching, I’m sure you have it all under control. You’re smart, you planned well in advance and have already purchased your gifts, so that you’ll avoid being trampled by hordes of panicked last-minute shoppers. But just in case you haven’t, here are a few ideas:

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It’s big, it’s 1001 pt

Happy to announce the launch of 1001 pt, a new range of A2 screen prints, with glyphs set at precisely 1001 pt. As a special offer, you can have all four prints for just $101 (including shipping to anywhere in the world).

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Drawing Line

In the spring of 2012, Stefania Malmsten became the new Creative Director of Swedish fashion & culture magazine Rodeo. Stefania was living in New York at the time, working with Swedish and American clients from the collaborative workspace Studiomates in Dumbo, Brooklyn. She had decided to move back to Sweden where she had started her career with designing iconic magazines like Pop and Bibel.

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One Hel(vetica) of a Story

It is hard not to simply gush about Paul Shaw’s Helvetica and the New York City Subway System: The True (Maybe) Story. For a life-student and consumer of design history and culture publications, it ticks so many boxes that to ‘merely’ enjoy it is really quite easy. While there has been much said about Helvetica+ since its publication in 2011, readers might wonder why a review, so late in the day is worthwhile. Like all good design books, each time one returns to it new things seem to come to the fore. But more important than this, I believe there have been some important omissions in the discussions and reviews since the publication of the MIT Press edition.­

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Proza’s story

It was March 2nd, 2011, and I was fifteen-years old. I was in the clouds. My font family, Expletus Sans, had just gone live on the Google Webfonts Directory (now simply called Google Fonts). Plenty of positive feedback and a generous reward from Google had made me expect a lot of it. But it didn’t take very long before I started laughing at the high regard I once had for Expletus Sans, and its silly name. The elegance I once saw in it was soon mixed with a decent dose of clumsiness and amateurism. However, Expletus Sans did provide me with the motivation and opportunity to invest in my skills, and keep designing typefaces.

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Harir – Reducing Noise in Arabic Script

Our daily lives are full of noise, but when we immerse ourselves in reading, it seems to disappear. But what if the shapes of the words we read also contain perceptible noise? Does it disrupt the reading process, or do we learn to filter it out?

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Lava — Voice of a Magazine

In Spring 2012 I started working on Works That Work, a new magazine which launched in February 2013, and as strange as it may seem, one of the first things that I started working on was its typeface.

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Interview: Xavier Dupré

Xavier Dupré is a world-renowned type designer. After studying calligraphy and typography at the Scriptorium de Toulouse, France, he collaborated with Ladislas Mandel. Since then, he has established himself in Cambodia where he designs typefaces with as much freedom as possible. He appreciates Licko’s creativity, as much as the fluidity and calligraphic tensions in Slimbach’s works, and the simplicity of the design of Carter or Unger. Xavier began type design on screen but then moved back to pencil drawings on tracing paper and even painting with gouache.

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This Week in Fonts

Calligraphic flair by DSType, a geometric stencil from Talbot Type, a tempered sans by MVB Fonts, a warm slab courtesy of Dada Studio, a fluid script from Sudtipos, some hand-drawn lettering by Mike Rohde, an art deco inspired face from Tilo Pentzin, a vintage sans by Hold Fast Foundry, geometric forms from HVD Fonts, and a tribute to Ladislav Sutnar by Suitcase Type Foundry.

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A Typographic Carousel

Typographic carousel

Ahhhhhh…! That wonderful aha moment when we see the spark in our students’ eyes—when they realize that typography reaches far beyond the font list under the type menu on the computer. The tricky part is getting to that aha moment!

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Shameless

Neil Summerour’s latest release sat in a ‘drawer’ for two years gathering dust. Fortunately for us, he discovered it, dusted it off, and released it as a scratchy, dynamic, and elegant script font. Shameless is available in two flavors, Standard & Deluxe, with the latter comprising more characters. Shameless is published by the Positype type foundry, and is available through MyFonts.

Making waves with Magasin

I’ve always been fascinated by typefaces based on fluid handwriting, and as an amateur calligrapher of copperplate, I decided to design a display font based on this experience.

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