I love letters. All kinds and types of letters: small, large, drawn, sketched, painted, rough, smooth, serif, sans serif, script, roman, italic, oblique, digitized, old and new, uppercase, lowercase, all materials and media, three dimensional… Yes, I love letters, except for those that are poorly or incorrectly proportioned. For those poor ugly letters, I feel pity and sadness.
A friendly brush script by Nikola Giacintová, a new classic from Jason Vandenberg, a flexible sans by Fatype, fluid & friendly structure from Latinotype, a new sans by Monotype, a multicolored face from Underware, an elegant serif by FontFont, and a practical sans from Ludwig Type.
Three years ago MetaDesign Berlin asked us to design a custom Serif and Sans typeface for the German federal government. They had been assigned to redevelop the government’s corporate design with the typefaces as part of the update. The project was to cover all communication issued by the government and their ministries, online or offline, national or international. It was a demanding and interesting task. Though we were accustomed to working on projects like these for corporations, we were now asked to design “for the people”.
An Erik Spiekermann exclusive from Hamilton Wood Type, a sturdy slab by Rene Bieder, a high-class display from Avondale Type Co, a brush script by Mika Melvas, a modest slab serif from Type Me Fonts, a monospaced family by Matthew Butterick, a contemporary script from Petra Dočekalová, and a super family by Playtype.
A graceful sans from Typotheque, a modern grotesk by Suitcase Type, a contemporary serif from Bold Monday, a letterpress family by Yellow Design, a versatile sans from Milieu Grotesque, a brush script by Doubletwo, a bold display face from Monokrom, and a modern sign painter family by Kyle Wayne Benson.
An “old Hollywood” inspired sans from Jessica Hische, a harmonious family by Laura Worthington, a contemporary serif from Grilli Type, a stylish slab by FaceType, a gentle sans from Production Type, a versatile sans by Tour De Force, a brush inspired face from Commercial Type, and a calligraphic script by Aerotype.
Cloths of Heaven is Seb Lester’s interpretation of ‘Aedh Wishes for the Cloths of Heaven’, a poem by the renowned Irish poet W. B. Yeats. It is a continuation of his exploration of the theme of beauty in the context of letterform design. He has produced a limited edition screen print and also collaborated with The London Embroidery Studio to produce an embroidered piece, available as a small-run limited edition.
Aware that there is no such thing as total neutrality, Neutral typeface explores how the absence of stylistic associations can help the reader to engage with the content of a text.
A monumental family from Hoefler & Co, a casual sans by Type Supply, a seaworthy display from Kyle Wayne Benson, a ferry inspired face by Letters from Sweden, an extensive script family from Martina Flor, a strong grotesk by The Northern Block, a functional slab from ReType, and a bright iconset by Symbolset.
An elegant script from Sudtipos, an aggressive face by Blackletra, a hand made family from Latinotype, a dynamic sans by Rui Abreu, a geometric sans from Rene Bieder, a cursive fat face by Dzianis Serabrakou, a lively script from Lián Types, a well-balanced slab by Parachute, a lovely sign painting font from Liebe Fonts, and a contemporary serif by Schwartzco.