Thanks to the more than 300 people who sent in their answers to the identify the s’s competition. The winner is announced below. Another big thank you to all those who regularly send in links and nice emails. Today’s is a big one, so buckle up and enjoy the ride.
First up is a new limited edition A2 poster from Seb Lester.
Another busy week, and a later than usual Sunday Type. Owing to work commitments that have a habit of interfering with ILT, those articles I promised will be posted, though a little later than scheduled. Several big articles are on their way: the fifth part in the History of Typography series, a personal piece on Why Type Matters, a couple of interviews, and the Combining Type article that outlines how to combine serifed typefaces with sans serif ones. In the meantime, here’s something to inspire you:
First up is some lovely lettering from Russian Maxwell Lord:
I have come across so much type inspiration this week, that there just isn’t the space or the time to post it all, so I might post some other snippets during the week. In addition to what’s below, be sure to check out Jon Tan’s great little article on Quotation Marks & Texture. Enjoy:
Let’s start with the beautiful work of Japanese artist, Siho:
This poster makes reference to the paucity of diacritics in English. And, when they are employed, they’re often used on loan words—like the French café, for example. Here’s a little pre-Sunday Type challenge for you: name all the diacritics (or diacritical marks), and name the typeface used.
Poster designed by Michael Ciancio (you’ll need to click on the English Language link on the left to see the poster—the site uses frames).
Thanks to Kate Allen who said she thought of me when she first saw this poster. I take that as a compliment :) I guess I should offer a prize. Any suggestions?
I will begin with a recently launched web site, LetterCult. Thanks to regular link contributor Peter van Impelen, I’ve had the pleasure to read this fine blog. There are already interviews with Mark Simonson and the wonderful Gemma O’Brien of Write Here Right Now fame.
Invariably, these kinds of post are couched in grandiloquence, “The World’s Best, most stunningly awesome typographically awe-inspiring found type.” And although, the search engines might love it, I just can’t do it. So here’s some stuff I found that I rather like—and I hope it inspires you.
What a hectic couple of weeks. Well, time to forget all your worries, sit back and enjoy some type and lettering. The winner of the Designing Books competition is mentioned at the close of today’s article. Thanks to all those who have sent in links and suggestions.
The other week I mentioned Typoretum. I mention them again because they have some lovely new printers’ flowers letterpress cards:
Abook that carries the names Jost Hochuli and Robin Kinross on the cover is enough to get just about anyone’s synapses salivating.* Designing books: practice and theory, published by Hyphen Press is the best single volume on the subject of designing books. Why save it for the concluding remarks. Hold this book in your hands, flip through it, take note of the color of text blocks, the proportions … in these simple acts there are invaluable lessons to be learned.