Vesper was developed over the course of almost three years. For this article, I’ve divided the process into two stages: #1 during my studies at the University of Reading; and #2 After Reading. Hopefully through this highly-condensed-yet-still-rather-wordy account of this project you will learn some interesting bits regarding my first major type family, the design process, and the MATD program.
I don’t usually do these single-item posts, but just had to share this. An alphabet created using items from the Mitchell Library’s broad and eclectic collections—with wonderful results. Some of the letters are accompanied by videos explaining the origins of their constituent parts.
In celebration of their centenary.
Thanks to @ashmorris
Reviewed by James Puckett
Yakov G. Chernikov (1889–1951), was a Russian artist, designer, and architect learned in classical and modern styles. As a draftsman he was on par with Piranesi and Rembrandt; his most forward-thinking drawings resemble the style of Yoshitaka Amano. This combination of knowledge and skill made him one of the most accomplished Russian Constructivist writers and architects; Chernikov designed sixty buildings—although most were not built—and wrote numerous books about architecture and graphic design.
By Nadine Chahine
Nadine Chahine is a type designer for Linotype GmbH, where she is also Branding & CI Manager, and Arabic Specialist. She designed Frutiger Arabic with Adrian Frutiger and Palatino Arabic with Hermann Zapf, for which she won the Certificate of Excellence in Type Design from the TDC. Today I’m excited to announce that Nadine’s Neue Helvetica Arabic has just this minute been released.
By Abi Huynh
Last year Mathieu Christe and Berton Hasebe wrote a very thorough article detailing the general day to day of the Type and Media masters program. With this article we hope to outline an historical overview of the course and provide a brief look at the final project typefaces from the 08/09 class.
Reviewed by James Puckett
I was excited when Taschen announced the first volume of Type: A Visual History of Typefaces and Graphic Styles, described as “This exuberant selection of typographic fonts and styles traces the modern evolution of the printed letter”*. Such language, including the title, is disingenuous, because this book is not a history.
Welcome to a slightly later than usual week in type. Lots happening in the world of web fonts — links to the best content below. There’s also free stuff, so don’t click away.
By Jessica R. Yurasek
Let’s face it, most of the general public does not really understand typography. So when I first tell people that I attended something called ‘Type Camp’ this summer, I tend to garner a lot of puzzled looks. But, smiling bemusedly, the typographic outsider with whom I am conversing, is likely to then ask a question not so far off from my own the first time I heard about Type Camp: what, exactly, do you do there?
“The truth of the terse but expressive ‘dead and forgotten’, comes home with peculiar force to the searcher after information about the individuals who have developed the art and craft of typefounding.”
– William E. Loy
The Industrial Revolution is often seen as a black hole in the history of typography. In that era the role of the punchcutter changed to that of a largely uncredited factory worker. Records of who worked on individual typefaces are sparse. Today it can seem as if there is practically no information left about the designers of the nineteenth century.
The Week in Type
It’s been a little while since the last week in type. I have so many links, so many new releases, so much news to share, I wonder where I should begin. I know, let’s start with a great site based on a very simple idea — Typedia is an encyclopedia of fonts, or in the words of its creator, a mix between IMDb and Wikipedia, but just for type. It’s not that the information is not out there; it is, but where this site, the brainchild of Jason Santa Maria and co., succeeds is in putting that information all under one roof, so to speak. My favourite feature is the Good Deeds page, which makes it really easy to contribute.