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I Love Typography

I Love Typography

Sex, lies, & type

Welcome to a slightly later than usual week in type. Lots happening in the world of web fonts — links to the best content below. There’s also free stuff, so don’t click away.

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Type Camp

By Jessica R. Yurasek

Let’s face it, most of the general public does not really understand typography. So when I first tell people that I attended something called ‘Type Camp’ this summer, I tend to garner a lot of puzzled looks. But, smiling bemusedly, the typographic outsider with whom I am conversing, is likely to then ask a question not so far off from my own the first time I heard about Type Camp: what, exactly, do you do there?

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Karbon type

I’m struggling to keep up with all that’s new in type. Exciting times. Lots of great new releases, and some very novel and creative uses of type and lettering. Let’s jump straight in.

I am tempted to try something like this:

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Tungsten type

the week in type

Let’s begin with something tougher than steel from H&FJ. Meet the just-released Tungsten. [insert superlatives here]

Tungsten typeface from Hoefler & Frere-Jones

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Nineteenth Century Designers & Engravers of Type

“The truth of the terse but expressive ‘dead and forgotten’, comes home with peculiar force to the searcher after information about the individuals who have developed the art and craft of typefounding.”
– William E. Loy

The Industrial Revolution is often seen as a black hole in the history of typography. In that era the role of the punchcutter changed to that of a largely uncredited factory worker. Records of who worked on individual typefaces are sparse. Today it can seem as if there is practically no information left about the designers of the nineteenth century.


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Encyclopædic type

The Week in Type

It’s been a little while since the last week in type. I have so many links, so many new releases, so much news to share, I wonder where I should begin. I know, let’s start with a great site based on a very simple idea — Typedia is an encyclopedia of fonts, or in the words of its creator, a mix between IMDb and Wikipedia, but just for type. It’s not that the information is not out there; it is, but where this site, the brainchild of Jason Santa Maria and co., succeeds is in putting that information all under one roof, so to speak. My favourite feature is the Good Deeds page, which makes it really easy to contribute.

typedia, the typeface encyclopedia

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Type Radio

It’s been quite some time since I mentioned the brilliant Type Radio. It’s a podcast I’ve been listening to for ages, and they now have a huge archive of type-related interviews.

Thanks to Paul Hunt and Mark Simonson, I came across this wonderful little video, that I hope will have you racing over to Type Radio to listen to everything they have.

You can list podcasts by interviewee or even by font. You can also subscribe to Type Radio via iTunes. I’ve downloaded most of the archive to my iPhone, so now I have Type Radio any time, any place, any where.

Related: Read Between the Leading podcast.
Up next: A gargantuan week in type.

The making of FF Duper

Berlin-based Martin Wenzel might be best-known for his TDC-awarded sans serif family FF Profile. He runs his own studio, focusing on type and communication design and teaches type design at the Design Academy Berlin. Martin also runs his own shirt store WordsOnShirts that features some nice hand lettering designs.

ff profile specimen

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The Font-as-Service

By Elliot Jay Stocks

When Johno first asked me to write about Typekit, I jumped at the chance. I’d received a beta invite to try out the service about a week before, but deadlines had got in the way of actually getting round to it. Now I had the perfect excuse to have a proper play, create a test site, and immerse myself in the technology that got the web design community frothing at the mouth when it was announced a couple of months ago.

However, as I started to experiment with Typekit, I realised that the really interesting thing isn’t the technology itself: it’s what Typekit — and other services in the same vein — mean for the way we experience type on the web. And I’m not talking about it from a user’s perspective, where they get to see the end results of using a variety of typefaces, but from the web designer’s perspective: the way in which we’re going to be using and paying for fonts.

typekit web fonts service

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Calluna — a text typeface with flow

Calluna started out as a little test I did to see if I could add serifs to Museo, to make a slab serif. Because of its pipe bend serifs I suddenly saw the connection between serif and stem, and some sort of direction.

calluna museo

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Web fonts — where are we?

Untangling the tangle

With all the talk about web fonts, I think it’s time I tried to outline the present situation. I’ve not attempted to do so before, owing to the complexity of some of the material, and the speed at which things are moving.

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iQ font

The week in type is coming very soon. In the meantime, I thought you might enjoy this video from Pierre Smeets and Damien Aresta.

More information about the project on Pierre and Damien’s web site, pleaseletmedesign.com. More images on Flickr. You can download the free iQ font from Toyota.


Great, fun project. If you decide to have a go, then please refrain from type design in built-up areas. Oh, and wear your seatbelt.