<?xml version="1.0" encoding="UTF-8"?><rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" > <channel><title>Comments on: Arabic calligraphy as a typographic exercise</title> <atom:link href="http://ilovetypography.com/2008/07/10/arabic-calligraphy-as-a-typographic-exercise/feed/" rel="self" type="application/rss+xml" /><link>http://ilovetypography.com/2008/07/10/arabic-calligraphy-as-a-typographic-exercise/</link> <description></description> <lastBuildDate>Tue, 16 Mar 2010 16:08:51 +0000</lastBuildDate> <generator>http://wordpress.org/?v=2.9.2</generator> <sy:updatePeriod>hourly</sy:updatePeriod> <sy:updateFrequency>1</sy:updateFrequency> <item><title>By: gearhed.com &#187; Blog Archive &#187; Selections from Communication Arts Design Annual 49</title><link>http://ilovetypography.com/2008/07/10/arabic-calligraphy-as-a-typographic-exercise/#comment-12724</link> <dc:creator>gearhed.com &#187; Blog Archive &#187; Selections from Communication Arts Design Annual 49</dc:creator> <pubDate>Sat, 15 Nov 2008 16:35:31 +0000</pubDate> <guid isPermaLink="false">http://ilovetypography.com/?p=1606#comment-12724</guid> <description>[...] By the way Alec, your Small Caps article was mentioned by the columnist in particular, as was the Arabic&#160;Calligraphy. [...]</description> <content:encoded><![CDATA[<p>[&#8230;] By the way Alec, your Small Caps article was mentioned by the columnist in particular, as was the Arabic&nbsp;Calligraphy. [&#8230;]</p> ]]></content:encoded> </item> <item><title>By: julia</title><link>http://ilovetypography.com/2008/07/10/arabic-calligraphy-as-a-typographic-exercise/#comment-10171</link> <dc:creator>julia</dc:creator> <pubDate>Tue, 05 Aug 2008 20:01:52 +0000</pubDate> <guid isPermaLink="false">http://ilovetypography.com/?p=1606#comment-10171</guid> <description>Ryan, I just wanted to get back to your question. Apparently I was mixing too many details in one sentence. With &#039;no dots&#039; I was getting more at the fact that the pair of dots are joined to become lines. The single dot itself stays, but also some letter shapes can be written without dots: In Riq’a exists a written form of the ‘nun’ that does alter significantly from the regular one, leaving out the dot above it. So thanks for pointing that out.Nadine, Also thank you. Your much more advanced insights tell us about the complexity of the topic. I appreciate that. Thanks everybody (again) for all the ongoing feedback.</description> <content:encoded><![CDATA[<p>Ryan,<br /> I just wanted to get back to your question.<br /> Apparently I was mixing too many details in one sentence. With &#8216;no dots&#8217; I was getting more at the fact that the pair of dots are joined to become lines. The single dot itself stays, but also some letter shapes can be written without dots: In Riq’a exists a written form of the ‘nun’ that does alter significantly from the regular one, leaving out the dot above it. So thanks for pointing that out.</p><p>Nadine,<br /> Also thank you. Your much more advanced insights tell us about the complexity of the topic. I appreciate that.</p><p>Thanks everybody (again) for all the ongoing feedback.</p> ]]></content:encoded> </item> <item><title>By: Nadine Chahine</title><link>http://ilovetypography.com/2008/07/10/arabic-calligraphy-as-a-typographic-exercise/#comment-10107</link> <dc:creator>Nadine Chahine</dc:creator> <pubDate>Sat, 02 Aug 2008 21:34:57 +0000</pubDate> <guid isPermaLink="false">http://ilovetypography.com/?p=1606#comment-10107</guid> <description>Very interesting article. Thank you John and Julia!Just a few extra notes:Kufi (also written Koufi, Kufic) encompasses a range of many different styles such as the Early Kufi, Bent Kufi, Eastern Kufi, and Maghribi, to name a few. The first is written with a reed, the 2 middle are quite geometric, and the last is written with a round brush. Unfortunately, many scholars use this term indiscriminately and it is usually best to use the terms: squarish styles (for everything referred to as Kufi) and the round styles for Naskh, Thuluth, Diwani etc... Or to specify which Kufi one is referring to.&gt; Today the main styles have been categorized into six types.The Arab calligraphers in the 10th century (Ibn Muqla followed by Yaqut Al-Mustasimi and later the Ottomans) formulated what is referred to as Al-Aqlam Assitta (the 6 hands) and those are: Naskh, Thuluth, Muhaqqaq, Rayhani, Tawqi&#039;, and Riqa&#039;.I only wanted to add this as the article shows 6 styles but they are not the usual 6. Actually, Arabic calligraphy has a quite large number of different styles and it makes for a very fascinating topic to dive into. There&#039;s an interesting article here:http://memory.loc.gov/intldl/apochtml/apocfragments.htmlIt&#039;s great to see so much interest in Arabic!Julia, good luck for Reading. I&#039;m sure you&#039;ll have a great time :)</description> <content:encoded><![CDATA[<p>Very interesting article. Thank you John and Julia!</p><p>Just a few extra notes:</p><p>Kufi (also written Koufi, Kufic) encompasses a range of many different styles such as the Early Kufi, Bent Kufi, Eastern Kufi, and Maghribi, to name a few. The first is written with a reed, the 2 middle are quite geometric, and the last is written with a round brush. Unfortunately, many scholars use this term indiscriminately and it is usually best to use the terms: squarish styles (for everything referred to as Kufi) and the round styles for Naskh, Thuluth, Diwani etc&#8230; Or to specify which Kufi one is referring to.</p><p>&gt; Today the main styles have been categorized into six types.</p><p>The Arab calligraphers in the 10th century (Ibn Muqla followed by Yaqut Al-Mustasimi and later the Ottomans) formulated what is referred to as Al-Aqlam Assitta (the 6 hands) and those are: Naskh, Thuluth, Muhaqqaq, Rayhani, Tawqi&#8217;, and Riqa&#8217;.</p><p>I only wanted to add this as the article shows 6 styles but they are not the usual 6. Actually, Arabic calligraphy has a quite large number of different styles and it makes for a very fascinating topic to dive into.<br /> There&#8217;s an interesting article here:</p><p><a href="http://memory.loc.gov/intldl/apochtml/apocfragments.html" rel="nofollow">http://memory.loc.gov/intldl/apochtml/apocfragments.html</a></p><p>It&#8217;s great to see so much interest in Arabic!</p><p>Julia, good luck for Reading. I&#8217;m sure you&#8217;ll have a great time :)</p> ]]></content:encoded> </item> <item><title>By: Geeknews &#187; Short Shrift News Links - 7/31/08</title><link>http://ilovetypography.com/2008/07/10/arabic-calligraphy-as-a-typographic-exercise/#comment-10090</link> <dc:creator>Geeknews &#187; Short Shrift News Links - 7/31/08</dc:creator> <pubDate>Thu, 31 Jul 2008 07:02:14 +0000</pubDate> <guid isPermaLink="false">http://ilovetypography.com/?p=1606#comment-10090</guid> <description>[...] Arabic calligraphy as a typographical exercise. This is one of my favorite blogs, if you dig fonts and the creativity behind getting the type just [...]</description> <content:encoded><![CDATA[<p>[&#8230;] Arabic calligraphy as a typographical exercise. This is one of my favorite blogs, if you dig fonts and the creativity behind getting the type just [&#8230;]</p> ]]></content:encoded> </item> <item><title>By: Rush</title><link>http://ilovetypography.com/2008/07/10/arabic-calligraphy-as-a-typographic-exercise/#comment-10072</link> <dc:creator>Rush</dc:creator> <pubDate>Mon, 28 Jul 2008 23:36:15 +0000</pubDate> <guid isPermaLink="false">http://ilovetypography.com/?p=1606#comment-10072</guid> <description>As said a fascinating article. Though a photographer, i have always missed regional/traditional scripts on titles in design.. An article by the website on how to design a entire font set for other language such as devnagri (Hindi/sanskrit/marathi) etc would be very helpful to tap the new digital artist sprawling across india. There is no material for designer on how to develop fonts. And hence a rich tradition of scripts in india still lie hidden &amp; untapped by artists worldwide. Time for a tutorial on such leading TYPO sites i guess :) !!! I would volunteer to translate if anyones intrested ...</description> <content:encoded><![CDATA[<p>As said a fascinating article.<br /> Though a photographer, i have always missed regional/traditional scripts on titles in design..<br /> An article by the website on how to design a entire font set for other language such as devnagri (Hindi/sanskrit/marathi) etc would be very helpful to tap the new digital artist sprawling across india.<br /> There is no material for designer on how to develop fonts. And hence a rich tradition of scripts in india still lie hidden &amp; untapped by artists worldwide.<br /> Time for a tutorial on such leading TYPO sites i guess :) !!!<br /> I would volunteer to translate if anyones intrested &#8230;</p> ]]></content:encoded> </item> <item><title>By: Ryan</title><link>http://ilovetypography.com/2008/07/10/arabic-calligraphy-as-a-typographic-exercise/#comment-10024</link> <dc:creator>Ryan</dc:creator> <pubDate>Sun, 27 Jul 2008 16:48:47 +0000</pubDate> <guid isPermaLink="false">http://ilovetypography.com/?p=1606#comment-10024</guid> <description>Hi Julia,This was a fascinating article. I&#039;m no designer, but I&#039;ve been studying Arabic for two years, and I absolutely love its calligraphy. I was wondering what you meant when you said Riq&#039;a and Diwani don&#039;t use dots. I took that to mean that they don&#039;t use the dots that differentiate the letters that have the same body shape, like &#039;bā&#039;, &#039;nun&#039;, and &#039;yā&#039; or &#039;qāf&#039; and &#039;fā&#039;. In the Riq&#039;a picture, the first word is &#039;hunā&#039;, which I can read because it has the vowel lines and the dot above the &#039;nun&#039;. Without the dot, it could be &#039;huba&#039; &#039;huta&#039; and so on. I&#039;m not good at reading Diwani script, but the letters clearly have their dots, too. Thank you, I absolutely loved this article!</description> <content:encoded><![CDATA[<p>Hi Julia,</p><p>This was a fascinating article. I&#8217;m no designer, but I&#8217;ve been studying Arabic for two years, and I absolutely love its calligraphy. I was wondering what you meant when you said Riq&#8217;a and Diwani don&#8217;t use dots. I took that to mean that they don&#8217;t use the dots that differentiate the letters that have the same body shape, like &#8216;bā&#8217;, &#8216;nun&#8217;, and &#8216;yā&#8217; or &#8216;qāf&#8217; and &#8216;fā&#8217;. In the Riq&#8217;a picture, the first word is &#8216;hunā&#8217;, which I can read because it has the vowel lines and the dot above the &#8216;nun&#8217;. Without the dot, it could be &#8216;huba&#8217; &#8216;huta&#8217; and so on. I&#8217;m not good at reading Diwani script, but the letters clearly have their dots, too. Thank you, I absolutely loved this article!</p> ]]></content:encoded> </item> <item><title>By: LS graphic design &#187; Tipografia araba e calligrafia, alcune risorse</title><link>http://ilovetypography.com/2008/07/10/arabic-calligraphy-as-a-typographic-exercise/#comment-10015</link> <dc:creator>LS graphic design &#187; Tipografia araba e calligrafia, alcune risorse</dc:creator> <pubDate>Fri, 25 Jul 2008 13:09:46 +0000</pubDate> <guid isPermaLink="false">http://ilovetypography.com/?p=1606#comment-10015</guid> <description>[...] a Nadine Chahine (nuova stella della tipografia araba, a quanto sembra) e un articolo su «la calligrafia araba come esercizio tipografico», che spiega le varie tipologie di scrittura con foto di esercizi e degli strumenti utilizzati. [...]</description> <content:encoded><![CDATA[<p>[&#8230;] a Nadine Chahine (nuova stella della tipografia araba, a quanto sembra) e un articolo su «la calligrafia araba come esercizio tipografico», che spiega le varie tipologie di scrittura con foto di esercizi e degli strumenti utilizzati. [&#8230;]</p> ]]></content:encoded> </item> <item><title>By: cutwithflourish &#187; Blog Archive</title><link>http://ilovetypography.com/2008/07/10/arabic-calligraphy-as-a-typographic-exercise/#comment-9925</link> <dc:creator>cutwithflourish &#187; Blog Archive</dc:creator> <pubDate>Tue, 22 Jul 2008 03:03:14 +0000</pubDate> <guid isPermaLink="false">http://ilovetypography.com/?p=1606#comment-9925</guid> <description>[...] Kaestle has written an interest piece on I Love Typography about Arabic calligraphy and its relationship to typography. I&#8217;ve always [...]</description> <content:encoded><![CDATA[<p>[&#8230;] Kaestle has written an interest piece on I Love Typography about Arabic calligraphy and its relationship to typography. I&#8217;ve always [&#8230;]</p> ]]></content:encoded> </item> <item><title>By: wail</title><link>http://ilovetypography.com/2008/07/10/arabic-calligraphy-as-a-typographic-exercise/#comment-9880</link> <dc:creator>wail</dc:creator> <pubDate>Sat, 19 Jul 2008 10:53:31 +0000</pubDate> <guid isPermaLink="false">http://ilovetypography.com/?p=1606#comment-9880</guid> <description>I think Arabic calligraphy is the best or one the bests. I enjoyed reading the article. Thanks and I even subscribed!</description> <content:encoded><![CDATA[<p>I think Arabic calligraphy is the best or one the bests. I enjoyed reading the article. Thanks and I even subscribed!</p> ]]></content:encoded> </item> <item><title>By: wes</title><link>http://ilovetypography.com/2008/07/10/arabic-calligraphy-as-a-typographic-exercise/#comment-9854</link> <dc:creator>wes</dc:creator> <pubDate>Wed, 16 Jul 2008 14:37:16 +0000</pubDate> <guid isPermaLink="false">http://ilovetypography.com/?p=1606#comment-9854</guid> <description>Wow, great read I was always interested in learning new iconography languages. I tried learning Urdu a while back, but now I think I will put more effort.</description> <content:encoded><![CDATA[<p>Wow, great read I was always interested in learning new iconography languages. I tried learning Urdu a while back, but now I think I will put more effort.</p> ]]></content:encoded> </item> </channel> </rss>
<!-- Performance optimized by W3 Total Cache. Learn more: http://www.w3-edge.com/wordpress-plugins/

Minified using disk
Page Caching using disk (enhanced)
Database Caching 1/11 queries in 0.007 seconds using disk
Content Delivery Network via cdn.ilovetypography.com

Served from: ilovetypography.com @ 2010-03-17 05:43:50 -->