タイポグラフィーの専門用語
僕がiLTを始めた理由のひとつは、話題としてあまり語られていないと感じたからなんだ。次にもっと重要なことだけど、タイポグラフィーのことを調べようと思っても、資料があまりなくてすぐ見つけるのが難しいといつも思っていたんだ。このブログの長期的な目的としては、タイポグラフィーのすべてが揃うワンストップショップになること。専門用語から新しいタイプフェイス、そしてひらめきのヒントになる様な書体例から、仕事に最適な字体選択まで提供できるんだ。WEBで使うものでもそうでないものもね。

The Serifless Roman
Welcome to another edition of Sunday Type. I hope that everyone had a good week. It’s been an especially busy week, with more than the usual number of emails through iLT. Kris Sowersby’s Why Bembo Sucks article was incredibly popular. There are some more great articles to come from Kris.
Let’s get started with […]

Por Alec Julien
Siempre en la búsqueda de la inspiración tipográfica, compré una pluma caligráfica durante el verano, convencido de que mis garabatos con ella terminarían convirtiéndose en unas mágicas letras. Una semana y una docena de páginas después, estaba sin nada interesante o incluso lejanamente artístico. Luego, una noche, cansado y desesperado, cuando se me […]

Griffo à Caslon
Dans la première partie de cette série, nous avons abordé les caractères humanistiques; aussi bien dans leur contexte historique que pour leurs caractéristiques visuelles, hier et aujourd’hui. On continue la chronologie en s’attardant un peu, le temps de se familiariser, sur certaines garaldes magnifiques.
Nous avons déjà vu que les caractères humanistes ont des […]

Book Review
Recently I received through the post something large, yellow and weighing 3kg. No, not a genetically modified banana, but FontShop’s FontBook, an the encyclopaedia of type. This book really should come with a health warning: my postman almost had a hernia delivering it, and very nearly sprained his wrist attempting to hold it in […]

By Kris Sowersby
At a recent panel discussion on New Zealand book design, I lambasted the overuse of Bembo in many New Zealand books. As more questions were asked than could be answered, I wrote this article to explain myself. Let me begin with a brief history.
Before digital typesetting and offset printing, there was the letterpress. […]

The Art of S PAC ING
Regular readers may well remember the lovely 1940s-style brush script, Kinescope, from the talented Mark Simonson. Mark’s latest offering is Filmotype Glenlake, a digital revival of a classic Filmotype font from the Fifties. And if you have no idea what Filmotype is, then head on over to the Filmotype […]

Part 3: Siècle des Lumières
Welcome to part three of our Type Terms series. In part one we travelled all the way back to the 15th century to take a closer look at the Humanist or Venetian style types with their distinctive lowercase ‘e’ (remember that sloping crossbar?). In part two we considered the Old […]