Sunday Type: Mel Gibson Type
The Serifless Roman
Welcome to another edition of Sunday Type. I hope that everyone had a good week. It’s been an especially busy week, with more than the usual number of emails through iLT. Kris Sowersby’s Why Bembo Sucks article was incredibly popular. There are some more great articles to come from Kris.
Let’s get started with a great […]
Estudio de un caso de creación de fuentes: Joules
Por Alec Julien
Siempre en la búsqueda de la inspiración tipográfica, compré una pluma caligráfica durante el verano, convencido de que mis garabatos con ella terminarían convirtiéndose en unas mágicas letras. Una semana y una docena de páginas después, estaba sin nada interesante o incluso lejanamente artístico. Luego, una noche, cansado y desesperado, cuando se me había […]
Terminologie typographique: Garalde
Griffo à Caslon
Dans la première partie de cette série, nous avons abordé les caractères humanistiques; aussi bien dans leur contexte historique que pour leurs caractéristiques visuelles, hier et aujourd’hui. On continue la chronologie en s’attardant un peu, le temps de se familiariser, sur certaines garaldes magnifiques.
Nous avons déjà vu que les caractères humanistes ont des racines […]
FontBook
Book Review
Recently I received through the post something large, yellow and weighing 3kg. No, not a genetically modified banana, but FontShop’s FontBook, an the encyclopaedia of type. This book really should come with a health warning: my postman almost had a hernia delivering it, and very nearly sprained his wrist attempting to hold it in one […]
Why Bembo Sucks
By Kris Sowersby
At a recent panel discussion on New Zealand book design, I lambasted the overuse of Bembo in many New Zealand books. As more questions were asked than could be answered, I wrote this article to explain myself. Let me begin with a brief history.
Before digital typesetting and offset printing, there was the letterpress. A typeface […]
Sunday Type: Spaced-out Type
The Art of S PAC ING
Regular readers may well remember the lovely 1940s-style brush script, Kinescope, from the talented Mark Simonson. Mark’s latest offering is Filmotype Glenlake, a digital revival of a classic Filmotype font from the Fifties. And if you have no idea what Filmotype is, then head on over to the Filmotype page.
And here’s […]
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